The Rights Room
The rights that never got sold
are still valuable.
Every completed film has unmonetized rights: territories, windows, formats. The Rights Room helps you find them, structure them, and match them to publicly-stated mandates from 72+ verified buyers: streamers, FAST, broadcasters, airlines, educational libraries, specialty distributors.
72
Verified buyer mandates
21
Streamers + FAST
20
Broadcasters + cable
31
Specialty + educational + airline
Why this exists
Every finished film has money left on the table.
Producers know they have unsold territories, expired licenses, and unused windows. What they don't have is a structured way to see it all at once, or a systematic map of who might buy each slice. That's the Rights Room.
A rights matrix, not a spreadsheet
Every asset modeled as territory × window × exclusivity × status. Search, filter, sort. See at a glance what's sold, what's expired, and what's free.
AI Monetization Scan
For any title, we identify every unmonetized rights slice and match it to publicly-stated buyer mandates that could fit, with confidence scores and mandate-fit reasoning.
Discovery only. Not a broker or agent.
Every profile links to the buyer's own submission process. We surface information. We don't facilitate transactions, don't take commissions, don't solicit on anyone's behalf.
The buyer graph
72 verified buyer mandates across 8 categories.
12
Streamers
9
FAST + AVOD
7
Educational + academic
13
Broadcasters
7
Cable networks
8
Airlines / IFE
6
Library / catalog
10
Specialty distributors
A sample of the graph
global svod · Los Gatos, CA
Aggressively acquires and originates across every major genre and language. Preference for premium exclusive first-window rights, global streaming, and completed film festival-tested titles. Not typically buying second-window rights.
Last verified: 2026-07-03
genre svod · New York, NY
AMC-owned horror/thriller specialist streamer. Actively acquires festival horror, indie thriller, and international genre content. Highly relevant for indie horror at $500K-$10M budgets.
Last verified: 2026-07-03
avod · San Francisco, CA
Fox-owned AVOD leader in US. Volume acquisition — 40,000+ titles. Strong for indie, catalog, genre, hispanic-language content. Also originates.
Last verified: 2026-07-03
academic library · San Francisco, CA
Academic institution streaming. Pays per-play. Critical for docs and arthouse.
Last verified: 2026-07-03
airline · Dubai, UAE
Award-winning IFE (ice). Large library, international acquisitions.
Last verified: 2026-07-03
public broadcaster · Arlington, VA
US public broadcaster. Long-time documentary and prestige-drama commissioner and acquirer. Distributes via ITVS, POV, Frontline, Independent Lens strands.
Last verified: 2026-07-03
Buyer mandate data compiled from public sources — buyer submission pages, industry conference statements, mandate publications, and press coverage. Provided as OPERATIONAL RESEARCH only — never a recommendation, never a facilitated introduction, never a guarantee of buyer response. Every profile carries provenance + a last-verified date. FILM.FUND is a software platform, not a broker-dealer or licensed sales agent.
Pricing
Sellers pay to list. Buyers pay for intelligence.
Every tier includes the same buyer-mandate database. Producer + Catalog Pro tiers let you list your titles. Buyer Intelligence tier is for programmers browsing available rights.
The Rights Room — Producer
$79/mo
For indie producers with completed films. Publish a rights matrix, get an AI Monetization Scan across 72+ verified buyer mandates, track outreach.
- List up to 5 titles with full rights matrix (territory × window × status)
- AI Monetization Scan per title — identifies every unmonetized slice + matched buyer mandates
- Access to 72+ verified buyer mandates: streamers, FAST, broadcasters, cable, airlines, educational, library, specialty
- Private notes on each buyer + saved outreach templates
- Weekly alerts when mandate changes fit your catalog
The Rights Room — Catalog Pro
$399/mo
For producers with 10+ titles, small distributors, and library owners. Unlimited titles, portfolio-wide Monetization Scans, and a PIR Basic credit each quarter (worth $149).
- Everything in Producer
- Unlimited titles + portfolio-wide Monetization Scans
- Buyer-mandate benchmarking (which mandates historically license this genre/budget)
- Team collaboration (up to 3 seats)
- CSV/JSON export of your rights matrix
- 1 PIR Basic credit every quarter — a $596/yr value included
The Rights Room — Buyer Intelligence
$199/mo
For FAST channels, broadcasters, airline programmers, educational + library buyers. Structured search across available rights + benchmark data. No listing access — intelligence only.
- Search across every listed available rights slice — filter by format, genre, territory, window
- Historical mandate benchmarking (which buyers acquire what genres at what price ranges)
- Alerts when new rights matching your saved criteria are listed
- Save unlimited titles to watchlists with private notes
- CSV export of matched rights
The Rights Room — Enterprise
$1499/mo
For sales agents, distributors, and library funds managing multi-title portfolios. 10 seats, custom research, API export, priority verification.
- Everything in Catalog Pro + Buyer Intelligence
- 10 seats included (add more at $99/seat/month)
- Priority buyer-mandate verification (48-hour analyst turnaround)
- Custom research briefs (2/quarter) on emerging buyer categories
- API access to your portfolio data + matched buyers
- Dedicated Slack channel with our team
- 1 PIR Professional credit every quarter — a $1,996/yr value included
FILM.FUND surfaces publicly-stated buyer mandates only. Never facilitates specific transactions. Never takes transaction-contingent compensation. Contracts happen off-platform between rights holders and buyers through their own licensed counsel. FILM.FUND is a software platform, not a broker-dealer or licensed sales agent.